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The Grief Hole (Dark Phases Masterpiece Title Series) Paperback – December 1, 2017
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Winner, Best Novel, 2016 Shadow Awards
Winner, Best Novel, 2016 Ditmar Awards
There are many grief holes. There's the grief hole you fall into when a loved one dies. There's another grief hole in all of us; small or large, it determines how much we want to live. And there are the geographical grief holes, the buildings that attract sorrow and loss and are filled with ghosts. Theresa sees these ghosts better than most, but can she figure out how to close the holes?
- Print length338 pages
- LanguageEnglish
- PublisherIFWG Publishing International
- Publication dateDecember 1, 2017
- Dimensions6 x 0.8 x 9 inches
- ISBN-10192549649X
- ISBN-13978-1925496499
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The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more
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“Kaaron Warren’s The Grief Hole is a powerhouse of a novel; creepy, disturbing, and genuinely moving. Theresa’s interventions and, of course, the devastating aftermaths will haunt you long after you finish this book.” – Paul Tremblay, author, A Head Full of Ghosts
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- Publisher : IFWG Publishing International; Reprint edition (December 1, 2017)
- Language : English
- Paperback : 338 pages
- ISBN-10 : 192549649X
- ISBN-13 : 978-1925496499
- Item Weight : 1 pounds
- Dimensions : 6 x 0.8 x 9 inches
- Best Sellers Rank: #4,873,277 in Books (See Top 100 in Books)
- #13,565 in Ghost Fiction
- #24,550 in Occult Fiction
- #30,959 in Dark Fantasy
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At times it felt as if the novel itself couldn’t make up its mind about Theresa. While she is introduced as an inveterate do-gooder, mockingly named Saint Theresa by friends and family alike, at points in the narrative she is also shown to derive a certain twisted pleasure from working with the battered women she encounters as a social worker. She gains validation and the self-satisfaction of knowing herself to be a “good” person, especially in cases where she “intervenes”. She has built her identity by being a helper—if she can’t help, she’s lost. In a way, Theresa is as much an emotional parasite as Sol Evictus is; they both need others’ despair to function. Theresa wrestles with the knowledge of this and tries to stay on the right side of the line, because she is a good person and wants to do the best she can. Her arc in the novel isn’t as much about her grief as it is about finding the balance between her desire to help, her gift of seeing ghosts, and the ruthless side of her nature that allows her to do whatever it takes to achieve her goals—the side that her Aunt Prudence calls her monster.
Theresa’s gift is that she sees ghosts. Specifically, she sees the way a person will die; the clearer the ghosts, the closer the death. She feels a responsibility to her charges to sometimes intervene and save them from their faith, by making sure that the cause of their death, usually their spouse, is removed. However, things aren’t always as straightforward as they seem and everything ends badly. Theresa isn’t the only one in her family to have a gift. In fact, her mother’s side of the family is rife with gifted people. The one exception in the novel being her Uncle Scott, who confesses envy of his sister’s gift and his lack places him outside the family. It did make me wonder whether Amber did inherit a gift and whether this was in part what determined her fate. The gifts are an additional complication to a complicated family history that sheds light on different ways of grieving: Scott and Courtney’s drinking, Theresa’s emotional locking away of herself, Lynda’s constant hostility, and Prudence’s whatever it is. These are all ways of trying to cope with a shattering loss, of trying to ignore the pain, and perhaps not-so-coincidentally preventing themselves from moving on.
Interestingly, there is also a lot of caregiver’s resentment in the book, both from the professionals, like Theresa and her co-worker Raul, and from family members, such as Annie’s mother. Being patient and kind is hard and can be wearying, especially when it feels as if the person being cared for doesn’t ‘listen’. It’s the frustration of seeing someone going back to a bad place, despite knowing it is the wrong thing to do, and the knowledge that they’ll be the ones having to pick up the pieces when it goes wrong, again. There is resentment all around really in The Grief Hole, as we also see Annie being hurt that Scott and Courtney shut her out, and they in their turn are mad at Annie and the rest of Amber’s friends and their parents for staying away. Theresa is angry at her mother for being spiteful and mean and at Tim for being needy and, in her eyes, weak. Despite the emphasis placed by the characters on the importance of being kind and empathetic, most of them have a really hard time with actually being kind and empathetic.
Grief can be expressed in many, many ways— anger, resentment, guilt, despair, depression, resignation, and acceptance. And all of these are reflected in The Grief Hole. The horror in this book is purely psychological, despite Sol Evictus collecting gruesome art and some splatter passages. It is an insidious form of horror, one that gets under your skin and stays with you, leaving you unsettled and wondering why. I was absolutely captivated by The Grief Hole, drawn in until the last page. Kaaron Warren is a fantastic writer, one who should be read by anyone who enjoys horror or the weirdly fantastic.
This book was provided for review by the publisher.
Grief is personal; it is both physical and psychic. In this novel, Ms Warren constructs a world in which grief has its own momentum. Theresa tries to recover her cousin’s art for her art and uncle. This takes her on a harrowing journey, into a physical grief hole from which few escape. Along the way, Theresa meets Sol Evictus. He’s a charismatic singer, loved by many. So why does Theresa think he needs to be destroyed? And, given that Theresa can see no ghosts around him, how can he be destroyed?
Ms Warren has written a novel which takes me into some horrible spaces, with no real confidence that there is any light in the tunnel. How can Theresa triumph against such evil? It seems like Sol Evictus is untouchable (except on his own terms). I kept reading: is this horror with lashings of fantasy, or vice versa? Does it really matter? While I’m hoping that Theresa will triumph, that various family secrets will be explained, and that her aunt and uncle will find peace, I’m thinking about the many and varied manifestations of grief.
The book’s artwork, by Keely Van Order, is perfect.
The novel ended. My thinking about it continues. I can see why this novel has won a number of awards, including the top fiction award at the 2017 ACT Writing and Publishing Awards, and Best Novel at the 2017 Ditmar Awards. I suspect I need to add Ms Warren’s other novels to my reading list. Powerful, disturbing, recommended.
Jennifer Cameron-Smith
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The opening to Kaaron Warren's THE GRIEF HOLE is a perfect encapsulation of why this book is such a triumph. At first glance, it is a simple statement, but when you delve below the surface, this opening sentence is full of subtext, dread and a sense of finality three things which perfectly sum up this powerful and evocative novel.
Theresa can see ghosts; she can see the ghosts of how you are going to die, swarming around the victim like a plague of vultures, mimicking the way you are to do. If you are going to drown the ghosts will be the ghosts of drowned people, but since she works as an emergency housing officer for abused women, the majority of ghosts she sees are those of battered women. When she crosses paths with Sol Evictus, a powerful, charismatic singer, who sent her cousin a young artist into The Grief Hole to capture the faces of the teenagers dying there and who subsequently died there, Theresa makes it her mission to bring Sol Evictus to her own brand of justice.
The Grief Hole is a poignant and moving novel, blessed with a fluid narrative that captivates the reader in its subtle and unnerving horror. Warren entices the reader into a world of broken characters and broken lives. A world where everyone is circling their own personal Grief Hole, where broken and battered lives urge people to take the final permanent journey into the pit of despair. Even Theresa, the hero of the novel is circling her own grief hole, disenchanted with her personal life and reeling from her tragedies; her job brings her into contact with situations that force her ever deeper into her grief hole. However rather than being battered into submission by the slings and arrows of her life, she makes a stand, not for herself, but for the future victims.
As protagonists go, Theresa is an excellent focal point for the book, painted with a pragmatic, down to earth sense of morality, she is an everywoman for everyone. Instantly engaging and likeable her battles against her demons act as a perfect canvas for Warren to paint the subtle, and unnerving narrative. At first glance she is Theresa could be described as plain, yes she can see ghosts, but other than that your initial reaction to her is rather neutral. However, as the story unfolds and secrets are divulged your respect and admiration for Theresa grows exponentially, with all the wonderful character traits converging into one of the most believable protagonists in recent years.
Sol Evictus, on the other hand, is the literally, and moral counterpoint to Theresa. Drawing on inspiration from some of the most mysterious singers, he is a pure distillation of the attraction and submission that we have for that artist that act like light bulbs to moths. A Golden God that shines brightly in a world of broken worshippers. Such is the power of Warren's creation, we the reader also fall instantly under the spell of Sol, despite knowing right from his first introduction in the narrative, that he is genuinely dangerous and morally bankrupt person, we can't help becoming enthralled with him.
The real power of The Grief Hole comes from the deceptive nature of the story's narrative. Eschewing the trappings of the majority of ghost stories, The Grief Hole carves out new fertile new ground in horror's most ancient of sub-genres. Beautiful and touching prose masks the dark depths that this novel will take you to. This isn't an easy read. The book doesn't so much demand an emotional investment as draw one out of you like some emotional leech." That adage of a book staying with you after you finish has never been more apt; such is the power of this compelling story.
Warren peppers the story with perfectly timed reveals, and revelations into the characters and their stories, which leads the reader through a bleak narrative landscape to a truly stunning conclusion.
The Grief Hole is a chilling and disturbing look into the world of loss and abuse, one that takes a compassionate look at how we deal with loss, and how those in power have the ability to use and abuse those people looking for something to fill the void in their lives. Rich characterisation and even richer dialogue combine to produce a masterful modern gothic ghost story for the twenty-first century.
