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Night Soldiers: A Novel Paperback – July 9, 2002
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the European world of 1934–45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale.
- Print length464 pages
- LanguageEnglish
- PublisherRandom House Trade Paperbacks
- Publication dateJuly 9, 2002
- Dimensions5.14 x 1.25 x 7.94 inches
- ISBN-100375760008
- ISBN-13978-0375760006
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Editorial Reviews
Review
—The Seattle Times
“Night Soldiers has everything the best thrillers offer—excitement, intrigue, romance—plus grown-up writing, characters that matter, and a crisp, carefully researched portrait of the period in which our own postwar world was shaped.”
—USA Today
“Intelligent, ambitious, absorbing . . . The history is deftly incorporated; the viewpoint civilized; the characters and the settings picturesque; the adventures exciting; the writing pungent.”
–Walter Goodman, The New York Times
“Night Soldiers is an atmospheric journey through turbulent lands at a turbulent time, not so much a thriller as it is a panoramic, historical adventure.”
–Pittsburgh Post-Gazette
“Intelligent and absorbing . . . An unusual viewpoint, solid research and unobtrusively elegant writing make this pure pleasure to read.”
–Kirkus Reviews
“Evocative, moving . . . Furst shows a remarkable talent, integrating details about the cultures of Spain, France and Eastern Europe with a fascinating story of the constantly changing, constantly unpredictable events of that world at war.”
–Publishers Weekly
“One of the very best novels ever written about the inner world of Soviet intelligence. . . . This fine novel, in effect the memoir so many did not live to write for themselves, is a triumph of historical imagination.”
–Thomas Powers, author of The Man Who Kept the Secrets
From the Inside Flap
the European world of 1934–45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale.
From the Back Cover
the European world of 1934-45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
His brother was fifteen, no more than a blameless fool with a big mouth, and in calmer days his foolishness would have been accommodated in the usual ways—a slap in the face for humiliation, a few cold words to chill the blood, and a kick in the backside to send him on his way. That much was tradition. But these were political times, and it was very important to think before you spoke. Nikko Stoianev spoke without thinking, and so he died.
On both sides of the river—Romania to the north and Bulgaria to the south—the political passion ran white hot. People talked of little else: in the marketplace, in the church, even—a mark of just how far matters had progressed—in the kitchen. Something has happened in Bucharest. Something has happened in Sofia.
Soon, something will happen here.
And, lately, they marched.
Torchlight parades with singing and stiff-armed salutes. And the most splendid uniforms. The Romanians, who considered themselves much the more stylish and urbane, wore green shirts and red armbands with blue swastikas on a yellow field. They thrust their banners into the air in time with the drum: we are the Guard of Archangel Michael. See our insignia—the blazing crucifix and pistol.
They were pious on behalf of both symbols. In 1933, one of their number had murdered Ion Duca, the prime minister, as he waited for a train at Sinaia railway station. A splinter group, led by a Romanian of Polish descent named Cornelius Codreanu, called itself the Iron Guard. Not to be outdone by his rivals, Codreanu had recently assassinated the prefect of Jassy “because he favored the Jews.” Political times, it seemed, brought the keenest sort of competitive instincts into play and the passionate reached deep within themselves for acts of great magnitude.
The men of Vidin were not quite so fashionable, but that was to be expected. They were, after all, Slavs, who prided themselves on simplicity and honesty, while their brethren across the river were of Latin descent, the inheritors of a corner of the Roman Empire, fancified, indolent fellows who worshiped everything French and indulged themselves in a passion for the barber, the tailor, and the gossip of the cafés. Thus the Bulgarian marchers had selected for themselves a black and olive green uniform which was, compared with Romanian finery, simple and severe.
Still, though simple and severe, they were uniforms, and the men of Vidin were yet at some pains, in 1934, to explain to the local population how greatly that altered matters.
It was a soft autumn evening, just after dusk, when Nikko Stoianev called Omar Veiko a dog prick. A white mist hung in the tops of the willows and poplars that lined the bank of the river, clouds of swallows veered back and forth above the town square, the beating of their wings audible to those below. The Stoianev brothers were on their way home from the baker’s house. Nikko, being the younger, had to carry the bread.
They were lucky to have it. The European continent lay in the ashes of economic ruin. The printing presses of the state treasuries cranked out reams of paper currency—showing wise kings and blissful martyrs—while bankers wept and peasants starved. It was, certainly, never quite so bad as the great famines of Asia. No dead lay bloated in the streets. European starvation was rather more cunning and wore a series of clever masks: death came by drink, by tuberculosis, by the knife, by despair in all its manifestations. In Hamburg, an unemployed railway brakeman took off his clothes, climbed into a barrel of tar, and burned himself to death.
The Stoianevs had the river. They had fished, for carp and pike, sturgeon and Black Sea herring, for generations. They were not wealthy, but they did earn a few leva. That meant the Stoianev women could spend their days mending lines and nets and the family could pay the Braunshteins, in their flour-dusted yarmulkes, to do the baking. They had, frankly, a weakness for the Braunshtein bread, which was achieved in the Austrian manner, with a hard, brown crust. Most of their neighbors preferred the old-fashioned Turkish loaf, flat and round in the Eastern tradition, but the Stoianev clan looked west for their bread, and their civilization. They were a proud, feisty bunch—some said much too proud—with quick tempers. And they were ambitious; they meant to rise in the world.
Much too ambitious, some thought.
A time might just come, and come fairly soon, when the Stoia- nevs would have to bow the head—who were they, one might ask, to have their damned noses stuck so high in the air? After all, had not the eldest son of Landlord Veiko sought the hand of the eldest Stoianev daughter? The one with the ice-blue eyes and thick black hair. And had he not been refused? A shameful slight, in the watchful eyes of Vidin. The Veiko were a family of power and position; property owners, men of substance and high rank. Any fool could see that.
What fools could and could not see became something of a topic in Vidin following Nikko Stoianev’s death. A few leading citizens, self-appointed wise men and local wits, who read newspapers and frequented the coffeehouse, asked each other discreetly if Nikko had not perhaps seen the wrong Veiko. That is, Landlord Veiko. For Landlord Veiko was not in the town square that autumn evening.
Colonel Veiko was.
In his black and olive green uniform, marching at the head of the Bulgarian National Union—all eighteen of them present that night. You see, the wise men told each other, to call a landlord a dog prick was to risk a slap in the face for humiliation, a few cold words to chill the blood, and a kick in the backside to send you on your way. That much was tradition. It had happened before. It would happen again. But to say such things to a colonel. Well, that was another matter altogether, was it not.
Omar Veiko, in either manifestation, landlord or colonel, was a man to be reckoned with in Vidin. A man whose studied effeminacy was a covert tribute to his power, for only a very powerful man raised neither voice nor fist. Only a very powerful man could afford to be so soft, so fussy, so plump, so fastidious. It was said that he dined like a cat.
This Veiko had a mustache, a sharp, stiff, well-waxed affair that shone jet black against his cream-colored skin. He was a short man who stood on his toes, a fat man who sucked in his stomach, a curly-haired man who oiled his curls until they brushed flat. A man, obviously, of some considerable vanity and, like most vain men, a close accountant of small insults. A note of sarcasm in the voice, a glance of ill-concealed anger, a rental payment slapped overhard on the wooden desk. All such sins were entered in a ledger, no less permanent for being kept in Veiko’s razor-sharp memory rather than on bookkeeper’s pages. It was, in fine, the Turkish style: an effete, polished surface just barely concealing interior tides of terrible anger. An Eastern tactic, of great antiquity, meant to frighten and intimidate, for Omar Veiko’s most urgent desire on this earth was that people be frightened of him. He lived on fear. It set him above his fellows, content to live out their days animated by less ambitious cravings.
Some weeks later, Antipin, the Russian who pretended to be a Bulgarian, would nod slowly with grave understanding. “Yes, yes,” he would say, pausing to light a cigarette, “the village bully.”
“We know them,” he would add, eyes narrowing, head nodding, in a way that meant and we know what to do with them.
Colonel Veiko marched his troop into the main square from the west. The sky was touched with the last red streaks of the setting sun. The twenty-five minarets, which gave the town its fame along the river, were now no more than dark shapes on the horizon. There was a light evening breeze off the water and, at the center of the town square, the last leaves of the great beech tree rattled in the wind, a harsh, dry sound.
The Bulgarian National Union marched with legs locked stiff, chins tucked in, arms fully extended, fingers pointing at the ground. Legs and arms moved like ratchets, as though operated by machinery. All in time to Khosov the Postman, who kept the beat with a homemade drumstick on a block of wood. They badly wanted a drum, but there was no drum to be had unless one went all the way to Sofia. No matter. The desired effect was achieved. A great modern age was now marching into the ancient river town of Vidin.
Colonel Veiko and his troopers had not themselves conceived this fresh approach to parades. It had come down the river from Germany, twelve hundred miles away, brought by an odd little man in a mint-colored overcoat. He arrived by passenger steamer, with tins of German newsreels and a film projector. To the people of Vidin, these were indeed thrilling spectacles. Nobody had ever seen anything like it. Such enormous banners! Huge bonfires, ranks of torches, songs lifted high by a thousand voices.
The people of Vidin worked hard, squeezed the soul from every lev, watched helplessly as their infants died of diphtheria. Life was a struggle to breathe. Now came an odd little man in a mint-colored overcoat and he offered them pride—a new spirit, a new destiny. Omar Veiko, who could read the wind like a wolf, realized that this time belonged to him, that it was his turn.
First he made himself a captain. Later, a colonel.
The uniforms were sewn up by a tailor named Levitzky, whose family had for generations outfitted the local military: Turkish policemen stationed in the town, Austro-Hungarian infantry going to war against Napoleon, Bulgarian officers in World War I, when the country had sided with Germany. The fact that money passed into the hands of Levitzky, a Jew, was regrettable, but was viewed as a necessary evil. In time such things would be put right.
The uniforms were soon ready. The heavy cotton blouse was olive green, an Eastern preference. The trousers and tunic, of thickly woven drill, were a deep, ominous black. A black tie set off the shirt. Each tunic had a shoulder patch, a fiery crucifix with crossed arrow. The uniforms were received with delight. The heavy double-breasted cut of the jackets made the National Union members look fit and broad-shouldered.
But the caps. Ahh, now that was a problem. Military caps were not the proper domain of a tailor—that was capmaker’s business, different materials and skills were required. There was, however, no capmaker about, so the job fell on Levitzky.
A progressive. A reader of tracts on Palestinian repatriation, a serious student of the Talmud, a man who wore eyeglasses. Le- vitzky had an old book of illustrations; he thumbed through it by the light of a kerosene lamp. All Europe was represented, there were Swiss Vatican Guards, Hungarian Hussars, French Foreign Legionnaires, Italian Alpine regiments of the Great War. From the last, he selected a cap style, though he hadn’t the proper materials. But Levitzky was resourceful: two layers of black drill were sewn together, then curved into a conical shape. The bill of the cap was fashioned by sewing material on both sides of a cardboard form. All that was lacking, then, was the feather, and this problem was soon solved by a visit to the ritual slaughterer, who sold the tailor an armful of long white goose quills.
Colonel Veiko and his troopers thought the caps were magnificent, a little flamboyant, a daring touch to offset the somber tone of the uniforms, and wore them with pride. The local wise men, however, laughed behind their hands. It was entirely ridiculous, really it was. Vidin’s petite-bourgeoise tricked out in goose feathers, strutting up and down the streets of the town. The grocer preceded by his monstrous belly. The postman beating time on a wooden block. Laughable.
Nikko Stoianev thought so too, standing with his arms full of Braunshtein’s loaves on a soft evening in autumn. The Stoianev brothers had stopped a moment to watch the parade—very nearly anything out of the ordinary that happened in Vidin was worth spending a moment on. Veiko marched in front. Next came the two tallest troopers, each with a pole that stretched a banner: the blazing crucifix with crossed arrow. Three ranks of five followed, the man on the end of each line holding a torch—pitch-soaked rope wound around the end of a length of oak branch. Five of the torches were blazing. The sixth had gone out, sending aloft only a column of oily black smoke.
“Ah, here’s a thing,” Khristo said quietly. “The glory of the nation.”
“Levitzky’s geese,” Nikko answered, a title conferred by the local wise men.
“How they strut,” Khristo said.
They took great strength from each other, the Stoianev brothers. Good, big kids. Nikko was fifteen, had had his first woman, was hard at work on his second. Khristo was nineteen, introspective like his father. He shied away from the local girls, knowing too well the prevailing courtship rituals that prescribed pregnancy followed by marriage followed by another pregnancy to prove you meant it the first time. Khristo held back from that, harboring instead a very private dream—something to do with Vienna or, even, the ways of God were infinite, Paris. But of this he rarely spoke. It was simply not wise to reach too far above what you were.
They stood together on the muddy cobbled street, hard-muscled from the fishing, black-haired, fair-skinned. Good-natured because not much else was tolerated. Nikko had a peculiarly enlarged upper lip that curled away from his teeth a little, giving him a sort of permanent sneer, a wise-guy face. It had got him into trouble often enough.
In good order, the unit marched past the grand old Turkish post office that anchored the main square, then reached the intersection.
“Halt!”
Colonel Veiko thrust his arm into the air, held tension for a moment, then shouted, “Left . . . turn!”
They marched around the corner of the open square, heading now toward the Stoianevs, white feathers bobbing. Veiko the landlord. The grocer. The postman. Several clerks, a schoolteacher, a farmer, a fisherman, even the local matchmaker.
Nikko’s grin widened. “Hup, hup,” he said.
They watched the parade coming toward them.
“Here’s trouble,” Khristo said.
Product details
- Publisher : Random House Trade Paperbacks; Reprint edition (July 9, 2002)
- Language : English
- Paperback : 464 pages
- ISBN-10 : 0375760008
- ISBN-13 : 978-0375760006
- Item Weight : 11.2 ounces
- Dimensions : 5.14 x 1.25 x 7.94 inches
- Best Sellers Rank: #316,585 in Books (See Top 100 in Books)
- #1,824 in Espionage Thrillers (Books)
- #3,663 in War Fiction (Books)
- #16,794 in Literary Fiction (Books)
- Customer Reviews:
About the author

Alan Furst has lived for long periods in France, especially in Paris, and has travelled as a journalist in Eastern Europe and Russia. He has written extensively for Esquire and the International Herald Tribune.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the story engaging and well-written. They appreciate the descriptive prose and character development. The historical accuracy and detail are praised. Readers also mention the book is full of atmosphere and excitement, creating an illuminating mood that captures both the dark and light sides of human nature.
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Customers enjoy the story. They find it well-written, entertaining, and educational. The narrative is strong, with vivid details that display the author's understanding of pre-war history.
"...Rest assured that the story comes together nicely as the plot develops. Alan Furst's research of the period from 1934 to 1945 is excellent...." Read more
"...This means that while the whole book is entertaining and the prose possesses your attention, there is so much detail and so many people that you ca..." Read more
"...He peppers his narrative with hundreds of vivid, telling details that display his understanding of pre-war Europe, the people who lived there, and..." Read more
"I had a good time reading Night Soldiers. If you just want to pass the time, it's fine. If you're looking for a quality read, then it's not it...." Read more
Customers find the book well-written and descriptive. They appreciate the author's skill in creating a well-constructed world and realistic portrayal of events leading up to World War II. The writing style is described as nice and the author has an authoritative voice about the subject matter.
"...writes like some of the better British authors who value correct, descriptive, thought provoking language as much as they value the stories they are..." Read more
"...His mastery of language and character elevates his work above being merely genre fiction...." Read more
"...recommend it to all fans of historical fiction genre because it is well-written, and the characters do come alive and are easy to picture before..." Read more
"...Le Carre is a commander of the English language; a master of subtlety, deft plotting, and an uncommon ability to imbue his characters with depth..." Read more
Customers enjoy the well-developed characters with unusual names. They appreciate the connections between them and the author's slow, methodical development of the characters. The hero holds readers' sympathy and admiration, evoking admiration, sympathy, and sadness at various events.
"...He also develops the characters in a slow, methodical manner, making you care deeply about them along the way...." Read more
"...This author writes like some of the better British authors who value correct, descriptive, thought provoking language as much as they value the..." Read more
"...; a master of subtlety, deft plotting, and an uncommon ability to imbue his characters with depth and a heroic realism...." Read more
"...At the same time, Furst's command of fine historical and character detail is precise and thorough; it seems literally incredible that he knows so..." Read more
Customers appreciate the historical accuracy and detail in the book. They find the period interesting and the descriptions of time and place evocative. The book takes readers to nitty-gritty locales that few other novels have visited.
"...It covers many years, and along the way you meet many, many people. The best part of this book is the prose...." Read more
"...He peppers his narrative with hundreds of vivid, telling details that display his understanding of pre-war Europe, the people who lived there, and..." Read more
"...a nice style, and he knows his subject matter, and revisiting this era in his time machine, and getting a new slant on the terrain, is well worth..." Read more
"...The most interesting aspect of this is how the Soviets developed their spy network, and how ruthless they were about using it...." Read more
Customers appreciate the book's research quality. They find the historical background well-researched with lots of real information and fascinating details about those times. The book conveys the complications and shifting loyalties effectively. Readers describe it as a good work with fascinating insights into obscure pre-war Eastern details.
"...Alan Furst's research is meticulous. His sense of place and time and atmosphere is superb...." Read more
"...It is beautifully written, meticulously researched, and certainly an accurate picture of its period, mainly Europe, 1935-45...." Read more
"...The work is well reserached and fun for a reader who normally limits himself to non-fiction." Read more
"...Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale. (Description from back cover of paperback edition.)..." Read more
Customers enjoy the book's atmosphere. They find the settings and mood illuminating, capturing both the dark and light sides of human nature. The writing captures the intense and revealing atmosphere of World War II Europe.
"...His sense of place and time and atmosphere is superb...." Read more
"...it's a literary spy novel that's filled with excellent writing, moody atmosphere, memorable characters, historical imagination, plus some suspense..." Read more
"...both the subject matter and the life of this book's protagonist is rather dark...." Read more
"...in Spain (during the Spanish Civil War) and pre-war Paris are really illuminating and entertaining...." Read more
Customers have different views on the plot complexity. Some find it deep and vibrant, with a deft plotting that draws them in from the first scene. Others feel the plot rambles along with too many irrelevant subplots and characters, not holding their interest.
"...The best part of this book is the prose. The writing is unique, rather different and more entertaining than that of the average author...." Read more
"...It's masquerading as quality read, but it is neither good literature nor a historical novel...." Read more
"...with hundreds of vivid, telling details that display his understanding of pre-war Europe, the people who lived there, and the competing ideologies..." Read more
"...Furst is a master of characterization and his detailed settings propel multiple plot lines at a good clip...." Read more
Customers find the book well-researched and detailed in its portrayal of history, geography, politics, and culture. They appreciate the character development and descriptions of various venues in which the story unfolds. However, some readers found the book difficult to follow due to its focus on details and lack of explanations for action transitions. It's not recommended for novice readers.
"...He also develops the characters in a slow, methodical manner, making you care deeply about them along the way...." Read more
"...This was an error because Furst is a master of characterization and his detailed settings propel multiple plot lines at a good clip...." Read more
"...is entertaining and the prose possesses your attention, there is so much detail and so many people that you can't quite recall who is who or where..." Read more
"...I will read more. He has a nice style, and he knows his subject matter, and revisiting this era in his time machine, and getting a new slant on..." Read more
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Top reviews from the United States
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- Reviewed in the United States on February 3, 2013It's 1934 in Bulgaria when a young man is murdered by local Fascists. The victim's brother, Khristo Stoianev, is recruited into the NKVD, the Soviet's secret intelligence service. After training in Moscow, he's sent to Spain to serve in its civil war. About to become a victim of Stalin's purges, Khristo flees to Paris. But he soon learns that being a Russian spy is like being in prison. [I was reminded of the lyrics from a song about the Hotel California; "You can check out anytime you like, but you can never leave."] Several examples follow.
Khristo's training group adopts a homeless dog. One evening, the group is marched off to a theater to hear a long political speech. When they return to their quarters, they find that the dog is gone, along with all of its items, and the floor has been scrubbed with carbolic. The authorities did not want these young men to have any emotional attachments, a subtle clue as to the ruthlessness of their bosses. Later, during Khristo's time in Paris, he has a love affair with a woman and they live together for a short time. But one day he returns to their room and she's gone. Frantic, he searches for a note, some kind of clue. After tearing the room apart, he finally notices some marks on the old wooden wainscoting, four scratches that her fingernails had made when she was taken out the door.
At about the midpoint of the book, everything shifts from Europe to activities in the U. S. where the OSS is being formed. It's only a slight digression, however, as American businessmen are recruited and trained for clandestine operations in Europe. Rest assured that the story comes together nicely as the plot develops.
Alan Furst's research of the period from 1934 to 1945 is excellent. He also develops the characters in a slow, methodical manner, making you care deeply about them along the way. Furst is also good with detailed settings, giving you the food's taste, the texture of cobblestones and the smells along streets after a rain. I've been to Paris a number of times and his descriptions brought back pleasant memories of walks about the city and having coffee at sidewalk cafes.
The story is complex and gives the reader every incentive to take it slowly. Furst guides us through many European countries as we follow the wartime exploits of Khristo and his NKVD comrades. But the ultimate theme of the story is the loyalty and esprit forged by the members of his group in the heat of combat as they struggle for survival in the holocaust of war.
- Reviewed in the United States on July 25, 2018This is actually a good book, well worth your time. The reason it doesn't quite rate five stars is because it takes forever to read, and by the time you get to the end, you have forgotten how it started. The story is about one young person's adventure through Europe prior to and during the second world war. It covers many years, and along the way you meet many, many people.
The best part of this book is the prose. The writing is unique, rather different and more entertaining than that of the average author. Each sentence could be described as "well decorated", with plenty of rarely used adjectives, turns of speech, and sentence constructions. This author writes like some of the better British authors who value correct, descriptive, thought provoking language as much as they value the stories they are telling. It is this writing style that captures your attention from the first page.
However, this writing style is also the book's downfall. The sentences are delicious like a really good steak. You take your time and savor each bite, extracting as much flavor as you can, but you find that the steak is really big, and at the end you find you have swallowed too much, and you are relieved when you finally finish it. This means that while the whole book is entertaining and the prose possesses your attention, there is so much detail and so many people that you can't quite recall who is who or where is where when the main character revisits people or places later on.
In a nutshell, the book follows a guy from Bulgaria who gets recruited into the Soviet intelligence machine, goes to Moscow, meets some friends for life, gets sent to Spain, goes astray, travels to France, meets a lot more people, gets used, chased, and captured, escapes, fights a war, gets betrayed and rescued by his friends, and finally heads toward home but instead ends up where he never expected to be.
There is a ton of adventure here, and the book could easily be broken into two or maybe three separate stories. While reading it you have to balance your pleasure in reading the excellent writing against the need to keep a large number of characters and places in your head. Near the end, like that large steak, you just want to get it over with despite it's being delicious. Nevertheless, I recommend this book. Immediately upon its completion I downloaded the author's next book.
- Reviewed in the United States on December 29, 2013Fleeing persecution by fascists in his village, a Bulgarian peasant allows himself to be recruited into the Russian NKVD, the precursor to the KGB. Thus ushered into the shadowy world of espionage and the Byzantine intrigues of frightened, self-interested men with a little bit of power, Khristo Stoianev spends the next several years fleeing from one insane situation to another as he tries to make a life for himself in a Europe teetering on the brink of WWII.
I am very impressed with Alan Furst’s first entry in the Night Soldiers series and I shall certainly be reading more. His mastery of language and character elevates his work above being merely genre fiction. He peppers his narrative with hundreds of vivid, telling details that display his understanding of pre-war Europe, the people who lived there, and the competing ideologies that seemed to drive a continent insane.
Top reviews from other countries
- Very satisfiedReviewed in the United Kingdom on November 19, 2024
5.0 out of 5 stars Another superb work by Furst
Furst always delivers a finely drawn cast of characters plus excellent historical and geographical background. Never fails his readers!
- Drago Z.Reviewed in Germany on September 24, 2021
5.0 out of 5 stars Fabulous book!
A great story, beyond the spy action. I will read it once more. I have read about 5 books by Furst, but this one was above the others, overpolished and round and quite deep and working with human values and depths like with dough.
One island, alone for the rest of my life, no internet, 500 books to take with, this one would be in the first 100 chosen.
-
LecteurXReviewed in France on August 15, 2020
5.0 out of 5 stars NKVD et totalitarisme soviétique
Un excellent roman qui se déroule sous le règne de Staline en Europe de l'Est, en Russie, en Espagne, en France.
L’anglais est excellent. On songe au livre de Koestler, Le zéro et l'infini, et à l'Aveu de Costa Gavras et Arthur London.
- vijayan.rReviewed in India on January 27, 2014
4.0 out of 5 stars Views on ' Night Soldiers"
It brings the ambience of those sad days alive.There is an economy of words that reveal while leaving us to imagine and fill in. One can say that in a sense , to use the modern jargon, interactive. One understands the horror and brutality of the events as they progress but can also stand aside and look at it without passions. The book reminded me of anther writer John Le Carrie.
- Rob MaitlandReviewed in Australia on March 12, 2015
5.0 out of 5 stars It is a good way to start
This is the second time I have read this novel and I found it as gripping and moving as the first time. It is a good way to start, Alan Furst novels as Furst's excellent following novels have characters and scenarios introduced here, pop up again in one form or another making them more enjoyable.